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Giuseppe Romeo

  • Home
  • Exhibitions: Pre-2000
    • Fears and False Aspirations
    • Somnium
    • Europa Riconosciuta
    • Like Wrecks of A Dissolving Dream
    • Man is the Measure
    • William Mora Galleries; Small Sculptures
    • Believing the Unbelievable
    • The Definite Object
    • M.O.C.A.
    • What Consumes You
    • Studio Show 1993
    • The Hidden Hand
    • Small Sculptures 1991-92
    • The Art Gallery; Sculptures and Drawings
    • Drawings; John Buckley Gallery
    • Australian Sculpture Triennial 1987
    • Studio Show 1987
    • Gilding the Lily
    • United Artists 1986
    • United Artists 1984
    • Australian Sculpture Triennial 1984
    • Sculptures 1979-1981
  • Exhibitions: 2000-2010
    • Everything is a Human Construct
    • Insidious Realities
    • Subjective Time
    • Lifestyle Rights
    • Christ Died For This
    • Restructure
    • Restructure Variations
    • The Billowing Flag
    • Thinking The Unthinkable
    • Blind Faith
    • The Death of Reflection
  • Exhibitions: 2010 Onwards
    • Modernity and Extremity
    • Untitled Alphabet
    • Pulp Fiction
    • Home Décor
    • Homage
    • Lifestyle Décor
    • Between Us and the Facts of Life
    • Between One Thing and Another
    • When Reality Sneaks Through
    • The Consumption Function
    • Compounded and Rebounded
    • Conclusion to the Beginning
    • Our Pretty Still Lives
    • Homo Economicus
    • Eyes Wide Shut
  • CV
  • Commissons
    • Babalu
    • Restructure
  • Works on Paper
    • A New Flag for Europe
    • Muka Studio Monotypes 1994
    • Muka Studio Monotypes 1991

L’avvenire

L’avvenire, 2019

Cardboard, Wood and Bones, 400mm X 250mm X 200mm

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giusepperomeo@bigpond.com

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